Definition
What is raw video?
Raw video records sensor data with less baked-in image processing than conventional video, allowing post-production to adjust parameters such as white balance, debayering, and tonal interpretation with more flexibility.
Raw is not one universal format. Different camera makers use different raw codecs, compression schemes, bit depths, and metadata. A raw file still needs to be decoded into an image, and its flexibility does not rescue clipped highlights, missed focus, poor lighting, or inadequate exposure.
The trade-off is data rate and workflow complexity. Raw media may require more storage, faster cards, proxy generation, and careful color management. It is most useful when the project needs demanding VFX, significant grading latitude, or a reliable high-end finishing pipeline.
Example in the edit
A commercial with green-screen work records raw video so the VFX and color teams can choose the final white balance and debayer settings while preserving strong chroma detail.
Why editors use it
Raw video can provide valuable finishing flexibility, but it changes storage, on-set monitoring, editorial, and color workflow requirements.
Quick answers
Frequently asked questions about Raw video
Is raw video uncompressed?
Not always. Many raw formats use compression while retaining raw sensor-oriented data and flexible processing.
Does raw video need color grading?
It usually needs an image transform and creative finishing because it is not normally delivered as a display-ready image straight from the camera.
Is raw always better than log?
Not automatically. Log can be efficient and excellent for many projects; choose raw when its additional flexibility justifies the workflow cost.